Northcote Pottery Supplies is proud to offer emerging ceramic artists a three month residency program.
Our spacious, well lit, studio access space, provides artists the opportunity to develop and produce work, experiment or work on specific project outcomes. Artists in residence are able to focus on their creative work, as well as share their ideas and thoughts with the Northcote Pottery Supplies ceramics community.
2025 Guest Artists in Residence
Ruby-Jean Whitehead
"I recently converted my garden shed into a small studio space where I hand build very spikey but functional objects, mostly vases. I [want] to be able to develop my spikey collection further and work towards an exhibition. I want to explore different forms in different clay body’s, while also expanding my glaze knowledge. I’m extremely passionate about the art form and I love the idea of working beside or around other enthusiastic potters and sharing our knowledge."
@rubyjean_whitehead
May Krason-Plarre
"I currently sculpt by hand and create mythical clay creatures that challenge conventional forms. Each piece tells a strange story blending fantasy and practicality. I find that the technique of hand building enhances the piece's unique and otherworldly vibe more. I want to establish a more cohesive body of work, explore new techniques and learn more so as to push the boundaries of my work."
@manyfagHamish Tobias
"I explore the intricate relationships between language, communication, mental health, and political polarisation through a variety of mediums, including video, ceramics, paintings, and sound. My work critiques the breakdown of language in our increasingly interconnected world, revealing how the use of esoteric jargon and the persistence of narrow-mindedness can stifle our ability to accept diverse viewpoints. Across the mediums I use, I seek to spark meaningful conversations about the complexities of mental health, internal struggles, and the often-absurd nature of daily life. The common thread throughout my practice is a call to rethink how we communicate—whether it’s in the context of mental health, political discourse, or the nuances of our daily interactions.
My primary focus would be exploring new processes that effectively express my ideas, particularly those related to mental health, the body, and the mundane aspects of daily life, along with a range of interconnected themes. Specifically, I’m interested in exploring how the process of making—the gestures and materiality of clay—can speak for itself rather than creating with a predetermined outcome in mind. My emphasis is on allowing the act of making to drive the work, letting the materials and actions shape the final result organically."
